J.S. Parker 1944-2017
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J.S. ParkerOh No, Spirit Don't Ever Die, 1981Acrylic & pastel on paper105 x 80 cm framed
84 x 59 cm unframed -
J.S. ParkerPlain Song '93, 1993Gouache on paper132 x 91 cm framed
120 x 80 cm unframed -
J.S. ParkerPlain Song '95, 1995Oil on paper132 x 91 cm framed
120 x 80 cm unframed -
J.S. ParkerPlain Song - Blue Field Study IIOil on canvas60 x 60 cm -
J.S. ParkerPlain Song: A Canterbury Pilgrims Road Song, 1996Acrylic & pastel on paper
98 x 139 cm framed
80 x 120 cm unframed -
J.S. ParkerPlain Song: Boxing the Horizon, 1997Gouache on paper132 x 91 cm framed
120 x 80 cm unframed -
J.S. ParkerPlain Song: Cross of the Fields, 1997Gouache on paper132 x 91 cm framed
120 x 80 cm unframed -
J.S. ParkerPlain Song: Skylark Ascending, 1997Gouache on paper132 x 91 cm framed
120 x 80 cm unframed -
J.S. ParkerTussocks and Rosehips, 2006Oil on canvas120 x 152.5 cm -
J.S. ParkerUntitled, 1992Gouache on paper132 x 91 cm framed
120 x 80 cm unframed -
J.S. ParkerVisual Prayers, 1980Oil pastel on paper83 x 58 cm
J.S. PARKER ONZM
(1944 – 2017)
Born in Auckland in 1944, Parker studied at Ilam School of Fine Arts, Christchurch and graduated with Honours in Painting in 1967. Parker worked as a full-time artist from 1981 up until several months prior to his death in 2017.
In the 2002 Queen’s Birthday Honours Parker was awarded an ONZM for 40 years of services to painting and in 1970 was awarded the prestigious Frances Hodgkins Fellowship at Otago University.
Parker is best known for his large impasto paintings within a grid format, full of texture, rhythm and balance within his imposed framework. He worked in thick layers of paint applied with a palette knife, sweeps of paint, which he pared down to reveal hints of what lies beneath.
For Parker, it was the sense of an inner radiance in his paintings which allows the viewer to relate to the “spirit” of the painting. He always had a spiritual basis to his work and his ‘Plain Song’ series reference the plains of Canterbury and of Marlborough where he lived.
“Plain Song – everything has been titled with that name for the past four decades. Not only does this reference my memories of the plains of Canterbury and Marlborough throughout my life, but also my love of music – especially blues, jazz and classical.” JS Parker
Works painted not long before his death, included several of uplifting, joyous colour – a sense of embracing his life to the full, as well as simply riding the rhythms of superbly juxtaposed colours.
Parker exhibited regularly in ARTIS Gallery from 2013 – 2017. In 2016 the painting titled ‘Plain Song: The Light Plain – Sunlight ‘, was purchased by Otago University for the Hocken Collection.
In 2017 Parker completed four new paintings by the end of May, which were exhibited at ARTIS (six weeks after his death) in an exhibition, Three Part Harmony, with Bronwynne Cornish and Bridget Bidwill.
In August 2020, ARTIS presented a selection of works specifically released by his family for an exhibition - ‘OH NO NEVER LET THE SPIRIT DIE’. During September 2024 an exhibition ‘PLAIN SONG: Works on Paper', was presented by ARTIS Gallery. Also released by his family, this collection of 10 works dated from 1981 – 1997.
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J.S. Parker
Plain Song: Station of the Soul 2 - 16 December 2025This selection of significant oils by late artist J.S. Parker are examples of some of the Marlborough artist’s classic impasto style - thick paint applied by palette knife on canvas to create layers of light and rich colour.Read more
All works have elements of his preferred themes of playing with paint and space, as well as responding to landscape and music. Plain Song: Canterbury Plains - a response to a memory of a car trip in Christchurch with an intense orange sunset. A rare ‘Semon’ painting from the 1980s - repeated white squares organised in a grid but not perfect or rigid in their form. The Blue Cross, one of few remaining of several done at the time he was working on a potential commission for the Christchurch Catholic Cathedral for the ‘Stations of the Cross’. A classic Parker Plain Song: Rarangi – featuring the colours of ploughed fields and the grey skies and sands of his favourite coastal walk.
All with a connecting thread – a curiosity on how to manipulate space and form on a canvas. Fixing and holding – however elusive. -
PLAIN SONG
Works on Paper 3 - 16 September 2024Read more -
JS Parker
Oh No Never Let the Spirit Die 4 - 24 August 2020It’s easy to imagine J.S. (John) Parker in his Blenheim studio energetically laying down paint with his trusty palette knife while the music of Van Morrison (‘Spirit’ is from his...Read more

