Hamish Foote b. 1964

Works
  • Hamish Foote , Ruru IV, 2024
    Hamish Foote
    Ruru IV, 2024
    Egg tempera on gessoed Kauri
    12 x 21 cm
  • Hamish Foote , Ruru V, 2024
    Hamish Foote
    Ruru V, 2024
    Egg tempera on gessoed Kauri
    14.5 x 15 cm
  • Hamish Foote, Monarch, 2023
    Hamish Foote
    Monarch, 2023
    Egg tempera, oil paint, silver leaf on gessoed oak panel
    14.5 x 14.5 cm
  • Hamish Foote , Ruru II, 2022
    Hamish Foote
    Ruru II, 2022
    Egg tempera on gessoed panel
    12.7 x 20.5 cm
  • Hamish Foote , Brown Kiwi, 2021
    Hamish Foote
    Brown Kiwi, 2021
    Egg tempera on gessoed Kauri
    11.5 x 11.5 cm
  • Hamish Foote, Black Petrel, 2019
    Hamish Foote
    Black Petrel, 2019
    Watercolour & gouache
    33 x 26 cm
  • Hamish Foote, Predation, 2013
    Hamish Foote
    Predation, 2013
    Egg tempera on gessoed panel
    33 x 23 x 10 cm
  • Hamish Foote, Ramification, 2013
    Hamish Foote
    Ramification, 2013
    Egg tempera on gessoed panel
    31 x 21 x 10 cm
  • Hamish Foote , Anonymous and the Kakariki l, 2008
    Hamish Foote
    Anonymous and the Kakariki l, 2008
    Egg tempera on gessoed panel
    17.1 x 26 cm
  • Hamish Foote, Emma Cheeseman and the Shining Cuckoo, 2008
    Hamish Foote
    Emma Cheeseman and the Shining Cuckoo, 2008
    Egg tempera on gessoed panel
    22.3 x 25.9 x 10 cm
Biography
Born in 1964 in Auckland, Hamish Foote is a Senior Lecturer at the School of Architecture at Unitec, Auckland. In 2004 he completed his Doctorate of Fine Arts at Elam School of Fine Arts, University of Auckland.
 
Utilizing different mediums over his career from lithographic printing to painting in watercolours, oils and egg tempera, Foote works in the finest detail. Every medium is mastered to further his exploration of the landscape that surrounds us, as well as the beings occupying it. With subjects ranging from living beings to skeletal remains, Foote draws on the rich history of zoological illustration, depicting a variety of species with meticulous natural realism. 
 
Foote's central concern is the exploration of exotic and native plants, birds and insects. Each series of works has progressed from the plant to the landscape to the birds and insects that occupy the land. This progression has happened virtually subconsciously for Foote and highlights his strong interest in the natural world. 
 
Although his choices of medium are traditional, Foote's treatment of subjects and compositions locate his works strongly within contemporary art practice. By presenting the native Kea in front of the denuded land, cleared for running cattle or sheep, Foote highlights not only the last impacts of colonisation of land, but the constant changes that occur due to human interference. 
 
Foote has also created iconological works in which he has painted insects such as cicadas, wasps and shield-backed beetles. In raising common, everyday subjects to objects of reverence Foote hopes to "authenticate, draw attention to, endorse and glorify his subject matter." 
Exhibitions