ARTIS Gallery
spacer
spacer About the Gallery
spacer Exhibtions
spacer Artists
spacer Works on Paper
spacer Works of Interest
spacer News
spacer News Media
 
spacer
 
Contact ARTIS Search
 
 
ARTIS > Artists > Marian Fountain
 
 
  George Baloghy
  Bridget Bidwill
  Don Binney
  John Blackburn
  Matthew Browne
  Ray Ching
  Don Driver
  John Edgar
  Julie Firth
  Hamish Foote
  Marian Fountain
  Roy  Good
  Paul Hartigan
  Gerda Leenards
  Neil Miller
  Siavash  Momeny
  Don Peebles
  Sylvia Siddell
  Peter Siddell
  Mark Smith
  Michael Smither
  Warren  Viscoe
  Christine Webster
  Jim Wheeler
  Mervyn Williams
  Carin  Wilson
  Pamela Wolfe
Synthetic Ecstasy Spirit Triangolo Lamb Tree Medal Air Medal Lapin Earth Medal Chrysalid 1 Chrysalid 3 3 Graces - Vetu Body and Soul Throwback Big Hug Inside Outside Where Are You? Playstation Ancestral Remote Vertical Pod Dog Eat Dog Horizontal Pod Digital Maize Shoot Drink
 
 
STYLE: Painting
 

Born In New Zealand, Marian Fountain was introduced to the techniques of bronze casting while studying at Elam School of fine Arts (1979 – 1983). Here, under the guidance of Paul Beadle, Fountain developed a deep respect for the traditional processes of the medium.  In 1984, she  received a  major travel grant from the Queen Elizabeth II Arts Council, and travelled  initially to London where she gained experience casting at the Royal College of Art and the Red Bronze Studio, before moving to Rome, where she studied at the Scuola della Mediglia.

 

Melding the inspiration of the rich diversity of European art, history and culture with her New Zealand roots and the cultures of the Pacific, Fountain used the female form, plant life and the animal kingdom, often in states of metamorphosis,  to explore themes of fertility, womanhood, conflict, change and growth.

 

The metamorphic quality in Fountain's sculptural practice is a thread that runs through much of her oeuvre. Her Chrysalids, female figures with legs and arms fused in pod-like shape, are paused at the moment of transformation. In the Pandora's Box series of medals the thighs, stomach and breasts  undulate like hills, forming a human landscape. By not portraying the head, the perspective in these works  is of looking down at one's own body, creating a sensual experience that is both  intimate and intense. Fountain's sculptural series of 2002  Liberte, Humanite, Egalite, the female form is housed within the shape of a patu, an instrument of war. Clutching her breasts, the figure's mouth is open in a scream, conveying powerful emotion, delving deep into the human condition.

 

Marian Fountain is a member of the New Zealand Medallion Group and has designed and made medals for the 1988 XIV Commonwealth Games, the 2003 America's Cup and for the Friends of Birmingham Museums in 2007.

 

Fountain has exhibited at the British Museum, The National Gallery of Scotland, the Museo Archeologico of Milan, York Museum Auckland Museum and the French Mint.  Her work has been displayed at the New Zealand Embassy in Paris and in London and are held in the British Museum and Smithsonian Museum collections. She exhibits regularly in Europe, and has kept a continuous presence in the New Zealand art world, exhibiting in NZ every few years. Artis Gallery are pleased to announce our first solo exhibition of Marian Fountain's work in February this year. 

 
 
Past Exhibitions
 
Remote Control
 
Works on Paper
 
 
Publications
 
spacer